Inside, in contrast, the amount of light is reduced so that it blends in with the texture of the lustrous black wood of the old folk house, and the light source is limited to near the floor. I hoped that the texture would be transmitted to the surfaces and materials, and that the Japanese space would be faintly highlighted. The materials used are cheap and available everywhere. Combining several of them, layering them, and applying more polish. The finish of the silica-calc board paint coating changes to the texture of rhombus twill weave with dull light. That is the wall of the corridor. The stainless steel hairline strike that cuts out the black iron part of the entrance of the guest room, the combination of aluminum angles and flat bars for the parting between the wallpaper and the wooden part, and the combination of acrylic, Japanese paper and lath, etc. There is, and the various exterior finishings, including the steel skeleton, are also a series of actions.

The first floor is used for the front desk and lobby, and in the atmosphere of a townhouse-style with a dirt floor and a living room with a wooden floor, you can enjoy breakfast while chatting. It is my hope that a bright community will be created around the owner, who interacts with foreign guests and provides meals, and that this ryokan plays a role as one of the lively exchanges with foreign countries.